Pablo Larraín begins Ema with an indelible image: fire engulfs a traffic light in the middle of a street, slowly making its way down from the red light to the green light with the titular Ema (Mariana Di Girólamo) looking on, a flamethrower in hand. The film then shifts to a group dance performance in […]
Denver Film Festival 2020 Review: ‘Ema’
